And while fans came to know Steve Carell as "the world's best boss," he originally wanted to be a lawyer before choosing acting (and spent some time working as a mail carrier). And prior to that, she was a burlesque dancer. Phyllis Smith, who played Phyllis Vance on the show, was actually the casting associate before being offered the role. But because he wasn't called back again for another year after filming that episode, Buckley stayed at Merrill Lynch until the show ended.Īs fans might know, Buckley is hardly the only actor on The Office to come from another background when being cast. Apparently, he ran into casting director Allison Jones at a farmer's market, and booked what was possibly a one-off appearance on the season 2 episode "Valentine's Day," which first aired on February 9, 2006. Though Buckley did have professional acting experience, he was officially working as a stockbroker at Merrill Lynch when he landed the role. And, perhaps unsurprisingly, it was a corporate gig. As part of the conversation, Buckley discussed how he had another job during his entire run on The Office. Which made it even more surprising to learn that Andy Buckley, the comedic actor who played Wallace, held another (non-acting) job throughout The Office's run.īuckley recently chatted with his former The Office co-stars Jenna Fischer and Angela Kinsey for an episode of their podcast, Office Ladies. While Wallace appeared in less than 40 of The Office's 188 episodes, his presence is felt throughout series. But the series was very much an ensemble comedy, and in many ways it was the recurring characters like David Wallace, Dunder Mifflin's head honcho-turned-Suck It inventor, who really helped to drive the narrative beyond the parking lot of the Scranton Business Park. We all have our favorite characters from The Office, and if our recent Mifflin Madness bracket proved anything, it's that there's a lot of love out there for Michael Scott and Dwight Schrute.
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The filing also included pricing to support USPS Connect, a series of affordable package delivery offerings for businesses that is expected to launch in 2022, if favorably reviewed.Īdditionally, the Postal Service is supporting mail by requesting approval for Plus One, a product that will provide additional marketing options for businesses to reach customers who use mail, and a market test for USPS Connect Local Mail, which will allow customers to send documents within local communities for same-day and next-day delivery.ĭelivering for America, the organization’s plan to achieve financial stability, is designed to reverse a projected $160 billion in operating losses during the next 10 years. USPS filed the Shipping Services price proposals with the PRC on Nov. The Postal Service implemented price changes for cards, letters and flats in August. Overall, these changes would raise Shipping Services product prices approximately 3.1 percent for Priority Mail service and 3.1 percent for Priority Mail Express service.Īlthough Mailing Services price increases are based on the consumer price index, Shipping Services prices are primarily adjusted according to market conditions. Priority Mail padded flat-rate envelope: $8.55 (current), $9.65 (planned).Priority Mail legal flat-rate envelope: $8.25 (current), $9.25 (planned).Priority Mail regular flat-rate envelope: $7.95 (current), $8.95 (planned).
Quick access to Emoji when composing new tweets.Support for Retweet (RT) & Quoted tweets.System-wide alerts for mentions & direct messages via Notification Center.Timeline syncing of reading position across all platforms via iCloud.View mentions, messages, and favorites quickly and easily.True multi-account/multi-window support.Here’s the full feature list for Twitterrific 5.0 for macOS: Twiterrific also includes VoiceOver support for navigating the timeline, composing tweets, and the option to add a text description to images as a fantastic accessibility feature.Īnd like the iOS version, Twitterrific 5 for macOS lets you quickly fix typo tweets with an edit workaround that actually deletes the typo tweet and replaces it with your edited version without manually copying and pasting the tweet. Twitterrific lets you choose between two themes (light and dark), a handful of fonts including Menlo (shown below), nine text sizes ranging from Tiny to CHOCK, and three media thumbnail options.Ĭhanging between light and dark theme also changes the window color for menus even if you’re not using the basic ‘Use dark menu bar and Dock’ preference which is a nice touch, and media opens in a whimsical and fluid popover with share options and even playback controls for video included. But even if you’re not yet a Twitterrific user, the interest in the new app existing is both good news for the Mac as a platform as well as the Mac Twitter client competition (which Twitter tries to prevent without maintaining its own app well). Ultimately, the Kickstarter campaign received $108,346 from 2,852 backers.įor users of Twitterrific for iOS, this launch means there’s finally a modern version of their favorite Twitter client for the desktop again. With Project Phoenix, however, The Iconfactory used crowdfunding to ensure demand for a modern Mac client before devoting months of development work to the project. Twitterrific for Mac has been effectively dead for the last few years as the market shifted to iOS where Twitterrific 5 has experimented with in-app purchases to remove ads and unlock features. Twitterrific for macOS is a totally new version of the Twitter client with a modern design that includes a dark theme, visual customization, muffle/mute/timeline syncing to the iOS app, and more. The Iconfactory has officially launched Twitterrific 5 for Mac after a successful Kickstarter campaign for Project Phoenix earlier this year. Ĭorfield, R.: Turin Shroud: chemistry in the face of belief. 54, 414–423 (2013)Ĭasabianca, T., Marinelli, E., Pernagallo, G., Torrisi, B.: Radiocarbon dating of the Turin Shroud: new evidence from raw data. 60, 1377–1390 (2018)Ĭasabianca, T.: The Shroud of Turin: a historiographical approach. 59, 316–330 (2017)Ĭaja, V.L., Boi, M.: The evidence of crucifixion on the Shroud of Turin through the anatomical traits of the lower limbs and feet. 617, 169–171 (2015)īoi, M.: Pollen on the Shroud of Turin: the probable trace left by anointing and embalming. 5(14484), 1–11 (2015)īella, M., Garlaschelli, L., Samperi, R.: There is no mass spectrometric evidence that the C14 sample from the Shroud of Turin comes from a mediaeval invisible mending. 16(5), 30 (2019)īarcaccia, G., Galla, G., Achilli, A., Olivieri, A., Torroni, A.: Uncovering the sources of DNA found on the Turin Shroud. 16, 503 (2017)īall, P.: Twists and turns: new evidence has reopened the debate on radiocarbon dating of the Turin Shroud. Keywordsīall, P.: Material witness is this holy relic preserved? Nat. A wealth of scientific evidence has been presented by both sectors in support of their theses, including photographic imagery interpretation, serology and palynology: whereas this will necessarily be reviewed briefly here, the focus of this particular case study will be the consideration of more recent Raman spectroscopic data obtained from ancient linen textiles and fibres from the Shroud which seem to indicate that the Shroud of Turin could in fact be interpreted to date from the time of Christ. Some believe that it is a fake and there are those of a contrary opinion who believe that the radiocarbon date is incorrect and that the artefact is genuinely the burial shroud of Christ. Intense periods of multidisciplinary scientific activity over approximately 40 years, including a radiocarbon dating of 1260–1390 CE with a mean value of 1325 +/− 65 in 1989, which unequivocally placed the linen manufacture in the mediaeval period, has resulted in an acrimonious and highly controversial furore of debate and division of opinion between the protagonists. One of the most important linen textile specimens to be subjected to scientific analysis is unquestionably the Shroud of Turin, which is believed by many to have been the burial cloth of Jesus Christ in which He was placed in the garden tomb following His crucifixion. |
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